
AUTOCAMPER - WHAT DO YOU DO ALL DAY? - YELLOW COLOR - VINYL LP
AutocamperĀ offer a bright, bittersweet antidote to Manchesterās greyscale post-punk leanings. Fronted by vocalist-guitarist Jack Harkins and keyboardist Niamh Purtill, their debut album captures the spirit of ā80s jangle pop with warm harmonies, candid lyricism, and no trace of retro cosplay.
Recorded at Glasgowās Green Door Studio with Chris McCory of Catholic Action, the album moves beyond the band's bedroom pop beginnings without losing its raw emotional core. Harkinsā relaxed Northern lilt pairs with Purtillās hushed vocals in a dynamic that recalls the call-and-response charm of The Vaselines, delivered with a gentle nod to the sincerity of ā60s sunshine pop.
Their sound pulls from early Flying Nun and Sarah Records DIY scenes, balancing melodic immediacy with emotional depth. āMap Like a Leafā features flute from Tom Crossley of The Pastels, while āDogsittingā nods to Felt with off-kilter organ lines. The rhythm section ā Harry Williams (bass) and Arthur Robinson (drums) ā evokes both the tight pulse of The Feelies and the melodic bounce of The Field Mice.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
AutocamperĀ offer a bright, bittersweet antidote to Manchesterās greyscale post-punk leanings. Fronted by vocalist-guitarist Jack Harkins and keyboardist Niamh Purtill, their debut album captures the spirit of ā80s jangle pop with warm harmonies, candid lyricism, and no trace of retro cosplay.
Recorded at Glasgowās Green Door Studio with Chris McCory of Catholic Action, the album moves beyond the band's bedroom pop beginnings without losing its raw emotional core. Harkinsā relaxed Northern lilt pairs with Purtillās hushed vocals in a dynamic that recalls the call-and-response charm of The Vaselines, delivered with a gentle nod to the sincerity of ā60s sunshine pop.
Their sound pulls from early Flying Nun and Sarah Records DIY scenes, balancing melodic immediacy with emotional depth. āMap Like a Leafā features flute from Tom Crossley of The Pastels, while āDogsittingā nods to Felt with off-kilter organ lines. The rhythm section ā Harry Williams (bass) and Arthur Robinson (drums) ā evokes both the tight pulse of The Feelies and the melodic bounce of The Field Mice.











